She is crass and stubborn at first, but does allow those whom she cares about to get below the surface.

It's also the kind of a character we tend to not see much, and some of his failings remind me a bit of Leif which is always a good thing. in-depth analysis of Victoria. In the first act, Betty, played by a man, spends most of her time confused and incapable of making any decisions of her own. A subreddit to discuss the Fire Emblem series of games, and associated media. Cathy, a five year old girl played by a man, is not exactly normal, to say the least. Clive d’Orsey / Lord Clive Stourbridge Character Analysis Next Captain James / Jamie Villiers The eldest child of the Marquis and Marchioness of St. Aubyn’s, who own St. Aubyn’s abbey in London. Mathilda, hilarious enough, agrees. Maud adheres to the notion that women are meant to serve and honor their husbands by taking care of the home. Honest, reliable and dutiful, Joshua appears to be the perfect servant. In it, he ends up modeling himself after Clive and mellows out and this results in both Mathilda and Forsyth filling out Clive's role as a charismatic, inspirational, and thoughtful leader. Clive, who does not even appear in Act II, is primarily responsible for driving the action and the story of Act I. Unsurprisingly his death alters Mathilda's ending. Read an Moving on, Clive provides moral support to Alm, defying Fernand and Slayde when they object to Alm's leadership. She relies totally upon her husband Clive to provide direction in her life. He pretty much heaps praises on her, saying he scarcely deserves her. She is unafraid to wield her sexuality, and she demands respect from the men with whom she comes into contact. Not to mention, she was originally shocked that people think Clive looks like a light weight next to her. Betty In the first act, Betty, played by a man, spends most of her time confused and incapable of making any decisions of her own. Who knows. In a purely physical sense, Clive's frequent requests for others to enter or exit assures that the play is in constant motion The Brown Girl, Brownstones Community Note includes chapter-by-chapter summary and analysis, character list, theme list, historical context, author biography and … These fears subside, but do not disappear as Edward grows up. Clive's support chain with Python is one of the best in SoV and, for that matter, the 3DS era as a whole. Hey-o, friendos! The couple host her for some days before she moves on to New York, and she admires their good education and refined, middle-class way of life. Clive's Base Conversations pretty much solely pertain to the situations he's in. Nevertheless, beneath her combativeness, Lin is hurt and uncertain about her ability to be a good mother. in-depth analysis of Edward. Come Delthea's chapter, we see Clive give a true apology to Alm after saving Delthea. Her disposition derives, in part, from her fear that her mother Lin will leave her. The third support revolves around Mathilda being upset with something Clair said: that Mathilda absolutely shames Clive in battle. Sorry for the reeeeeaaally long break, but I've been kind of keeping myself a bit more busy than I probably should have. However, Clive assures her that her battle prowess brings him no shame, acknowledging that Mathilda being strong is of no detriment to him. Gerry would like companionship but is reluctant to give up his freedoms. He represents the colonial oppression of the British Empire in Africa, as well as the sexual oppression that defined social interactions in the Victorian Edward. Don't know why, but oh, well. He's sibling to Clair, who we met earlier. Something like having Clive begrudgingly admit that even if his decision had costed him his happiness, it was still ultimately the best decision for Valentia given that the people he led needed Alm as a leader more than him. In addition to just being a humorous character, I feel like she is a great example of one of the younger characters of the cast being ripped from her comfortable life into one where she must don the mantle of responsibility, and seeing her development from a rich, spoiled girl to someone who still is preferential to her original lifestyle but has come to accept war is fantastic. Python/Clive is probably the only time in the whole game which tackles the nobility/commoners debate head-on, and it's great. On the surface, Harry, a British explorer, represents British courage and discovery. She is also dependent upon them and afraid of being sent away. Clive, who does not even appear in Act II, is primarily responsible for driving the action and the story of Act I. He ends out his plot importance in Chapter 5, comforting Fernand in his last hours as Fernand pretty much admits he was a royal douche. WE WANT FLAWED REALISTIC CHARACTERSNO NOT LIKE THAT, In all seriousness, Clive is a pretty cool guy. Ellen, Edward's governess, possesses a strong sense of duty to Clive's family. Since the Lukas support with Clive is pretty much Lukas-centric (and I already covered it), I'll instead cover his support with Mathilda. His mini arc comes in Act 3, where he and Alm clash over their own ideals. I just think that's fascinating character development. Which is no surprise as Clive's two main motivations are to serve the people as a nobleman, and Mathilda. In Act II, a new Betty, played by a new actor, acquires a sense of independence and evolves into the play's protagonist. The first is basically them talking about how glad they are to be together. I love that this scenario exists but I wish the writers went even further with it, even changing every bit of Clive's dialogue afterwards. The first act's protagonist, Clive is the model British aristocrat, at least at first glance. IS took a look at all the fandom's Pixiv art and said "...you know what? So much that it takes a visible toll on him, and everyone can tell. His bad ending gives me the impression that once he felt that he was no longer needed and that Valentia was in good hands, he was then able to adopt a deathseeker mindset so that he would be reunited with Mathilda sooner. This is only pushed forward when Alm seems to want to drop everything so they can save Luthier's sister, which Clive sees as too risky a venture. A promiscuous homosexual, Gerry has trouble staying in any one place for too long.

Use up and down arrows to review and enter to select. Clive is one my new favourite characters. Or, rather, give us a lord character like Clive. However, if Mathilda does not live, Clive rips Alm an entirely justified new one, and Clair shoots downs Gray and Tobin's objections. She relies totally upon her husband Clive to provide direction in Cookies help us deliver our Services. And of course if Mathilda dies, Clive ends up becoming a death seeker after the game ends. I feel Clive is way too unfairly hated. Maybe it really just is out of nowhere. Actually, I'm kind of miffed about people who say that Mathilda's character was butchered. Of note, Clive does not either cite his incompetence or his status as reason: it's a mixture of both that's crippling the Deliverance. I love this character, while not my favorite, I do think he is one of FE's best written characters and is sorely underappreciated. Again, once he loses both of his primary motivations, he pretty much spirals to his death. Or maybe she was just really satisfied with her accomplishments after having the Deliverance succeed against Desaix, pushing Rigel out, and then helping slay a god. But I wouldn't assume it would be much different as they do seem to share political views and philosophies. Read an in-depth analysis of Clive.

Press question mark to learn the rest of the keyboard shortcuts. If I had to say one thing about the analysis itself, I feel like you should have talked about his relationship with Fernand much more, especially in the Rise of the Deliverance DLC. Use up and down arrows to review and enter to select. Likewise, Edward subverts his homosexuality out of fear of Clive's reprimand. He demands the loyalty of his family, while he himself is unfaithful to his marriage.

Martin does have a giving side, which he demonstrates in his relationship to Lin's daughter Cathy and his own son Tommy. Clive truly accepts Alm's leadership here, and admits that his own misgivings were unfounded; a nasty remnant of his old ideas as a noble. If Alm's and Celica's role kick started and age of peace and prosperity, they're going to need a lot fewer death deliverers in the standing army. For some reason this is just irks me. In both cases, she is remembered for her legendary exploits and prowess as a knight so she at least isn't underappreciated in universe either. Overall Clive is pretty great and probably the guy who benefited most with the remake. He demonstrates a tendency to think for others, which can offend those with whom he comes into contact. His relationships fail because of his distaste for commitment.

Gray and Tobin shoot him down, of course, and peace is made. Anyways, today is the much-underrated leader of the Deliverance, Clive! Mr. Durham ’s wife, who Linda also meets upon arriving in Philadelphia.

She is a well- intentioned mother and grandmother, but her values seem outdated as her guidance often falls upon deaf ears. Clive is a well-written character, who is forced to challenge the beliefs that he's always held dear (namely that there is a large difference between nobles and commoners). This is an excellent write up for Clive and one I agree with overall. He's hailed from afar as a widely acclaimed knight who leads the Deliverance in defiance of Desaix. She dreams of a relationship with Harry, wondering what life might be like outside of her own. Clive is a really good character to listen to and from. He prefers steady companionship to promiscuity, but has difficulty asserting himself to get what he wants. From other support conversations and dlc we know Clair and Clive share an incredibly close bond. Always a traditionalist, Maud encourages the women around her to behave as she does. Like bro is alright when he's relevant and then falls off later like they're suppose to? However, the second is more interesting, as they talk aobut each other's merit in battle: Mathilda praises Clive, but Clive rightfully passes on the praise to MAthilda, saying she completely outclasses him. Churchill does not bring Clive back in the second act of the play because, metaphorically, Clive is dead to the new world of Act II. That said, a lot of people do have an issue with that ending as they say their paired ending kinda butchers Mathilda's character and relegates her to the status of housewife instead of battlefield valkyrie. He sacrifices his freedom to avoid persecution for his homosexuality. While he still is talented and skilled, he just isn't the best and he knows it. Anyways, come to Desaix's fortress, we get a nice bit of alternating dialogue depending on how the battle goes down. I personally enjoyed Clive quite a bit, but there is one thing that majorly irks me about him even though it has nothing to do with his character or performance. I really like this support, as it embodies how well the two know each other. But why on earth does he not have a support conversation with Clair. Good write-up, though you should give the DLC (and its supports) a look. His supports with both Python and Forsyth are pretty great too.