And interestingly, it’s almost always by rendering movement. Music used: © 2020 Georgia O'Keeffe Museum / Artists Rights Society (ARS), New York. Oil on canvas. Our partnership is focused on their ongoing exhibition, "Women Take the Floor," a daring and unflinching effort to bring the women artists - that is, artists - out from the shadows of their permanent collection and onto the floor. 45 - Georgia O'Keeffe's "Deer's Skull with Pedernal" (1936), Ep. It was attributed to C.S. So much detail surrounds so much nothing. Oil on panel. If you've ever wanted to know about champagne, satanism, the Stonewall Uprising, chaos theory, LSD, El Nino, true crime and Rosa Parks then look no further. And here, we’re looking at a photograph of a theater interior, and it’s incredibly, almost piercingly, sharp. VOICE 2: I feel like it has, like, some kind of importance to someone. Very dark.”. But an occult movie? Carmen Herrera, Blanco y Verde (#1), 1962. In this …, Whoever said the devil was in the details clearly had a thing for Northern Renaissance portraiture.See the images:http://www.thelonelypalette.com/episodes/2019/11/17/episode-41-jan-van-eycks-arnolfini-double-portrait-1434Music used:Django Reinhardt, “Django’s Tiger”The Andrews Sisters, "Bei Mir Bist Du Schoen"The Blue Dot Sessions, “Our Son the Pot…, After a series of false starts, rabbit holes, and mind maps, the time has come for Sayre to (possibly) meet internationally acclaimed artist Nikhil Chopra, the sixth degree of separation. On The Lonely Palette Avishai tells the stories behind artworks, one at … I’m not a Christian—I’m not even a terribly observant Jew—but I worship at the altar of the written word, and man, is that a great line. Louise Bourgeois, Pillar, 1949–50, cast 1990. - Keepers of the Culture: an Evening with Ekua Holmes and Dr. Barry Gaither, TeaserEp 0.2: The Raw Material Summer Mixtape (in partnership with SFMOMA), Re-ReleaseEp. This week: we go beneath the flowers, the unibrow, the broken body, and the shadow of her marriage, to reframe the fame of Frida Kahlo: the Cult Icon of Humanness. But the longer I looked at them, I thought, well, maybe it’s what I’ll see at the end of my life, when I’m flashing back and looking at the movie of my life. More episodes at arthistoryforall.com.By SFMOMA, This episode focuses on Betye Saar (b. Ernst Ludwig Kirchner, Reclining Nude, 1909. What is the allure? The Heritage Fund for a Diverse Collection. Sometimes the best starting point is through the layered, dense, and idiosyncratic ways that an individual processes trauma. 1926). The Lonely Palette is currently the podcast-in-residence at the Museum of Fine Arts, Boston, and we're partnering up to bring the museum to you during its closure due to Covid-19 by spotlighting both the rock star and the lesser-known objects from the museum's permanent collection. For more information, visit thelonelypalette.com | Twitter @lonelypalette | Instagram @thelonelypalette. Vincent van Gogh, Postman Joseph Roulin, 1888. The theater itself is a fossil, chock full of architectural details from another era, and magnificently captured because this light source is actually a condensed piece of time itself. We see this in 20th century art all the time, from Edward Hopper’s quiet narratives that are at once generalized and precise, to Roy Lichtenstein’s comic frames that are isolated from their stories. The film is just a tool of the artist, same as the paper he prints the photo onto. 38 - Wassily Kandinsky's "Untitled" (1922), Ep. Each season focuses on a different topic, featuring voices of artists working in all media and exploring the inspiration and stories behind modern and contemporary art. Sugimoto’s most famous photo series is of these theaters, which this image is part of—since the 1970s, he’s captured more than 100 movie houses and drive-ins, all in this same format: a glowing white square in the center, like looking into a camera’s viewfinder, which provides the light to the razor-sharp detail of the theater that surrounds it. When it comes to the theater series, he’s quite vocal about superimposing this whole movie at once is a creative act of the artist, not in any way purporting to be telling the story of the film. The Lonely Palette is on break until November 2019, so every Wednesday in October, a different Hub & Spoke producer will take the host's chair to present an episode of their show that Tamar is especially fond of. Welcome to The Lonely Palette, the podcast that returns art history to the masses, one painting at a time. 46 - Patty Chang's "Melons (At A Loss)" (1998), Ep. This is a blank screen, there’s no one in the theater, nothing is moving. These are, you know, they’re very elaborate, you know, kind of beautiful old theaters. This was one of best conversations I've ever had about the origins of "The Lonely Palette" and the trials and tribulations of art-viewing, meaning-making, script-wri…, In which we go beneath the flowers, the unibrow, the broken body, and the shadow of her marriage, to reframe the fame of Frida Kahlo: the Cult Icon of Humanness.See the images:http://www.thelonelypalette.com/episodes/2019/7/14/episode-40-frida-kahlos-dos-mujeresMusic used:Django Reinhardt, “Django’s Tiger”The Andrews Sisters, "Bei Mir Bist Du Schoe…, Season 5 of Raw Material takes inspiration from a 41 x 37-foot scale model of the city that was recently unearthed, refurbished, and distributed in pieces to neighborhood libraries. But it’s worth the effort. Each episode, host Tamar Avishai picks a painting du jour, interviews unsuspecting museum visitors in front of it, and then dives deeply into the object, the movement, the social context, and anything and everything else that will make it as neat to you as it is to her. "This week: you know TFW you’re rooted in place in front of a video screen, feeling unbearably uncomfortable yet unable to look away, and questioning everything you thought you knew…, Welcome to Raw Material from SFMOMA! More episodes at getty.edu/recordingartists/.By SFMOMA, “A painting is not a picture of an experience. Enjoy this month's podcast petri dish of art, culture, history, and society, and subscribe to any and all Hub & Spoke shows at www.hubspokeaudio.org. 41 - Jan Van Eyck's "Arnolfini Portrait" (1434), HiatusEp 0.5 - Hub & Spoke Presents: Culture Hustlers, HiatusEp 0.4 - Hub & Spoke Presents: Ministry of Ideas. So relax into your PJs, put your feet up, and let's #MuseumFromHome…, Grab a parasol, put your monkey on a leash, and come spend Sunday in the Park with George, exploring how a canvas this monumental and as frozen as Dippin' Dots can help us better understand the world in his day, in Cameron Frye's, and in our own.See the images:https://bit.ly/2L0qPCgMusic used:Django Reinhardt, “Django’s Tiger”The Andrews Sisters, "…, The Lonely Palette is currently the podcast-in-residence at the Museum of Fine Arts, Boston, highlighting five objects from the ongoing exhibition "Women Take the Floor. I can look out my window and watch New York City being built now. It’s a lonely, empty theater too, you know? Black lives matter.By SFMOMA, The Lonely Palette is currently the podcast-in-residence at the Museum of Fine Arts, Boston, and we're partnering up to bring the museum to you during its closure due to Covid-19 by spotlighting both the rock star and the lesser-known objects from the museum's permanent collection. Gift of Robert Treat Paine, 2nd.