22s:          Fall Liu Pingguo (Fan Bingbing) and her husband, An Kun (Tong Dawei) are a young migrant couple from the northeast of China who have moved to Beijing for a better life. Finally, this feed also serves as an archive for a wide variety of shows we’ve been doing since 2014, including: They are childless, because she is infertile. The ... See full summary ».

Romance sparks between a young woman and a young man from different economic backgrounds during China's Cultural Revolution of the 1960s and '70s. Lost in Beijing (Chinese: 苹果; literally: “apple”) is a 2007 Chinese film directed by Li Yu and starring Tony Leung Ka-fai, Fan Bingbing, Tong Dawei, and Elaine Jin. Part of the assault is witnessed by Liu's husband, An-Kun, a window washer.

[18], Critics, meanwhile, were reserved in their praise. She began her career in film and television at a very young age working as a local TV presenter in Shandong, before moving on to become a television director and screenwriter with China Central Television.

The enraged Kun tries to get even first by (unsuccessfully) blackmailing Lin, then by sleeping with Lin's wife (Elaine Kam). One of the two million people who have recently moved to the area is pretty Liu Ping Guo and her husband An Kun. Furious at the sight, An Kun begins a campaign of harassment against Lin Dong, defacing his Mercedes Benz, and attempting to blackmail him for ¥20,000.

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"[12] Derek Elley of Variety, however, appears to accept the dramatic licenses taken, and instead focuses on the film's excellent technical credits, and the performances of the four main leads.[2]. Returning to the Golden Basin, she passes out in an empty office. - We’re Not Gonna Talk About Judy: A Twin Peaks The Return Podcast Though ... See full summary ». When Pingguo's best friend, Xiao Mei (Zeng Meihuizi), assaults a customer, she is quickly fired by Lin Dong. Pingguo and An Kun live in a dilapidated apartment eking out their existence working menial jobs. Taglines Lost in Beijing (Chinese: 苹果; lit. Part of the assault is witnessed by Liu's husband, An-Kun, a window washer.

Golden Basin is owned and operated by Lin Dong (Tony Leung Ka-fai), an unabashed womanizer, and himself from Guangdong Province. One afternoon he rapes one of his workers, Liu, who has nearly passed out from drinking alcohol with a friend. Their wives are not consulted. Although, seeing how happy Lin Dong is with the baby, An Kun grows increasingly jealous, at last resorting to a clumsy and ultimately doomed kidnapping. Lin and Wang are a wealthy couple, approaching middle age in Beijing. She began her career in film and television at a very young age working as a local TV presenter in Shandong, before moving on to become a television director and screenwriter with China Central Television. Luc, an architect and married man from Quebec, begins an extramarital affair with Lindsay while on a business trip to Toronto. When the baby is born however, An Kun discovers that it is indeed his child. He's angry with the boss and with his wife, and attacks Lin's car furiously. 1 (2016), 2-15, es... Shuqin Cui, 'Lost in Beijing and Lost in Representation', in Lingzhen Wang, ed., Chinese Women's Cinema: Transnational Contexts (New York & Chichester, W. Sussex; Columbia University Press, 2011), pp. A look at modern-day life in China's capital centered on a ménage-a-quatre involving a young woman, her boss, her husband and her boss's wife. | While the choice of shots, camera angles and depth of focus sometimes feels somewhat arbitrary and erratic, the cinematograp... Like the director's earlier movies, Lost in Beijing features a variety of cinematic styles and narrative modes, ranging from hand-held documentary-style close-up footage to more detached and distant views, from the intimate to the impersonal, and from docudrama to melodrama.
Parents Guide. His attempt to squeeze more money out of his wife's employer ends in a fateful deal by which An Kun will get the money he demands and Lin Dong will get the child. He seeks compensation and tries to blackmail him. We look at the first three films of Li Yu, FISH AND ELEPHANT (2001), DAM STREET (2005), and LOST IN BEIJING (2007), the latter seen by us at the TIFF Cinematheque retrospective Seeing the Unseen: Re-Encountering Chinese Cinema, which focused on films by Sixth Generation directors that had trouble with government censorship in China. | Want to share IMDb's rating on your own site? Young teen girl Xiu Xiu is sent away to a remote corner of the Sichuan steppes for manual labor in 1975 (sending young people to there was a part of Cultural Revolution in China). Hong Kong, with its own cinema censorship system independent of Mainland China and relatively less susceptible to government intervention, was so far the only place this film could officially reach the Chinese audience. When Pingguo gets raped by her boss Lin (Tony Leung) one afternoon, Kun, who is washing the windows of the building, witnesses the act. The film then ends as the two men, Lin Dong and An Kun, attempt to search for her, only to have their car break down on a busy Beijing highway… [wikipedia]. With the paternity of the baby up in the air, Kun, who is eager for money, strikes a deal with Lin, who is eager for a son. The cinematography is amazing. favourites from the retrospective, such as Jia Zhangke's A TOUCH OF An Kun, who works as a window cleaner, observes the assault. Written by of Women's Studies (Seoul), Vol. "[21], Lost in Beijing's brief release in China consisted of a version very different from the versions seen at Berlin or in the United States. There is no reference to Lin Dong and An Kun following her. A bilingual Montreal native and a Prairies hayseed gravitate to Toronto for the film culture, meet on OK Cupid, and spur on each other's movie-love, culminating in this podcast. He owns a foot-massage parlor. He's angry with the boss and with his wife, and attacks Lin's car furiously. Soon, the two husbands have concocted a scheme wherein An Kun initially receives ¥20,000 for his mental suffering. It's not difficult to see how the One afternoon he rapes one of his workers, Liu, who has nearly passed out from drinking alcohol with a friend. The baby comes. [15], Though Lost in Beijing had played briefly in the Tribeca Film Festival, it did not see a commercial release until a limited run in New York beginning on January 25, 2008. Lin and Wang are a wealthy couple, approaching middle age in Beijing. Lost in Beijing Festival 2020 expand_more

But on night, she is visiting private nightclub Tulpa, club where your sickest, most erotic fantasies come true. Before long, the situation escalates dramatically. When An Kun sees his wife being raped by her boss Lin Dong through the plate-glass windows of a commercial building he is working outside, and Pingguo subsequently discovers she is pregnant... Pingguo ('Apple'), a foot masseuse, and her husband An Kun, who cleans the windows of high-rise office blocks, are poor migrants from north-east China struggling to make a better living in contemporary Beijing. When Liu Ping Guo falls pregnant, her husband suspects Lin Dong to be the father. After being released (presumably by Wang Mei, who has decided to divorce her husband), An Kun attempts to "repurchase" his child, to which Lin Dong promptly refuses. Like many films that touch on the underbelly of Chinese society (see for example, Li Yang's Blind Shaft or Blind Mountain, or Wang Xiaoshuai's Beijing Bicycle), Li Yu's tale of prostitution, blackmail, and rape in modern-day Beijing has been plagued with censorship problems. Soon, the two husbands have concocted a scheme wherein An Kun initially receives ¥20,000 for his mental suffering.
Even after its international premiere, Lost in Beijing continued to run into censorship issues in China. Enjoy.